Before her death, Frances gave birth to Hareton Earnshaw, who would then be the only remaining Earnshaw left. Lockwood falls sick shortly after and is tended to by the housekeeper Nelly Dean. He evolves from a fun-loving, good-natured boy into an angry, bitter, jealous, and self-destructive man. She is impetuous, proud, and sometimes haughty. But even when Catherine Earnshaw becomes Catherine Linton, she still maintains traces of her former self. Lesson Summary Emily Bronte's Wuthering Heights challenged strict Victorian gender roles with the character of Catherine Earnshaw. She regards it as her right to be loved by all, and has an unruly temper.
Green A lawyer in Gimmerton who briefly becomes involved with executing Edgar Linton's estate. Lockwood The narrator of the novel. Despite his higher social status, Edgar idolizes Catherine. Underneath his gruffness is a smart, kind, and sensitive soul. Buried between Edgar and Heathcliff, Catherine is in death, as she was in life, stuck between two lovers. Heathcliff never really calls Catherine out on her behavior either, although his obsession with revenge does indicate that he has motives that reach beyond fulfilling her needs.
He is a bullying, discontented boy who grows up to be a violent alcoholic when his beloved wife, Frances, dies. Meanwhile Edgar Linton proposes to Cathy and though she says yes, she is in doubt of her decision as she confides in Nelly. Edgar Linton The ideal gentleman, Edgar resides across the moors from Wuthering Heights in Thrushcross Grange with his sister, Isabella Linton. He is a stern father to Catherine. Hindly constantly abused Heathcliff and beat him and left him bruised, which he would constantly be punished for by his father. But Brontë doesn't make her simply the nature-loving wild child Lockwood reads about; Catherine is also a status-conscious social climber whose marriage destroys Heathcliff.
Frances Earnshaw Frances Earnshaw become the wife of Hindley after meeting him at college. Misunderstood by society, his unbreakable love for Catherine leads him to a life of revenge after her marriage to Edgar Linton and the death of Mr. Catherine cannot contain her desire for Heathcliff, even after she dies, and we as readers are definitely drawn to him as well. Heathcliff sees the marriage as a rejection of him and an embrace of an entirely new life. Edgar Linton Created by Information Family sister Spouse Children daughter Edgar Linton is a fictional character in 's novel. He's not pure goodness, however: he despises Heathcliff and can be unforgiving.
He wreaks his vengeance recklessly, nearly destroying everyone, including himself and the ones he should love. Husband of Catherine Earnshaw in 1847 Emily Bronte novel Wuthering Heights - Last Seen: 18 August 2018 Mirror quiz Did you think a bit differently and reach a different answer for clue Husband of Catherine Earnshaw in 1847 Emily Bronte novel Wuthering Heights? He resides at and falls prey to 's schemes for revenge against his family. He combines the worst characteristics of both parents, and is effeminate, weakly, and cruel. Joseph A household servant at Wuthering Heights who outlives all his masters. But, Heathcliff, if I dare you now, will you venture? Heathcliff is a most unusual character demonstrating his love for Catherine by causing her pain. We've braved its ghosts often together, and dared each other to stand among the graves and ask them to come. Cathy's change is visible on her return to the Heights at time.
However, their love is not built on hate and revenge but rather on kindness and sympathy. This reflects the Victorian idea that the masculine was to be valued, as Catherine's masculine qualities are portrayed as more attractive than Edgar's feminine ones. The conflict starts when Mr. He vanishes for three years to win Cathy over with his successes and choses to fight a battle that most would never attempt to begin. In the Victorian period, which spanned most of the nineteenth century in England, gender roles were very rigid. Her character, both alive and dead, haunts Heathcliff.
The long light hair curled slightly on the temples; the eyes were large and serious; the figure almost too graceful. In the presence of Edgar, Nelly refused to leave Cathy alone, as those were her orders. She is an impatient but capable woman. There are basically two sides to Catherine: Catherine Earnshaw and Catherine Linton. Cathy Linton The daughter of the older Catherine and Edgar Linton.
He is a gentleman from London, in distinct contrast to the other rural characters. He is a dangerous character, with rapidly changing moods, capable of hatred, and incapable, it seems, of any kind of forgiveness or compromise. In the end love conquers even a Heathcliff -after his soul has been cleansed with age and wisdom of the hate and distortion with which he has lived for decades. Despite her continued deep feelings for him, she knows better than anyone else that he has negative qualities. Her costuming expresses both sides of Catherine, as her first look illustrates her care-free nature, followed by more upper-class attire. They both marry, and soon Edgar Linton as well as Linton Heathcliff, fall ill and die. His wickedness is entirely inappropriate and unusual.
That love alone could cause his physical decline and death seems unlikely as well. Edgar Linton Isabella's older brother, who marries Catherine Earnshaw and fathers Catherine Linton. After that, Heathcliff takes his revenge on the second generation. For example, while Edgar dotes on his wife, Heathcliff beats his. His love for Catherine is gigantic and untamed and matters to him more than anything else, but it is never easy— it leads him to control and belittle and manipulate nearly everyone around him. Linton walked to a window on the other side of the room that overlooked the court.
She becomes the foster sister of the orphan, Heathcliff, at the age of six, and the two become close companions. Many people say that love is like a thread that connects the most diverse people in the world. The play explores the nature of true love, realistically and critically; the way Shakespeare intended it to be. Without a question he is brutal and the universal darkness in Heathcliff must not be excused. Of unknown descent, he represents wild and natural forces which often seem amoral and dangerous for society.